Showing posts with label original design. Show all posts
Showing posts with label original design. Show all posts
Monday, December 3, 2012
castle in the clouds
There are no rules of architecture for a castle in the clouds.
— G. K. Chesterton (1874–1936)
A completely spontaneous original design, created as I was stitching. I was watching the documentary "Painters Painting" and was inspired by a quote from Helen Frankenthaler: "A picture that is beautiful . . . looks as if it was all made at one stroke." I was also thinking of atoms, and movement.
Thread wrap in "hacienda" — a not-bright orange with a touch of red. S8 division in metallic white. Embroidery in two blues and pale orange. The quote by G. K. Chesterton is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 10.125 inches / 25.7 cm; diameter: 3.22 inches / 8.18 cm. Completed 3 December 2012 (no. 222).
Sold to benefit Kiva.org.
Sunday, August 12, 2012
raven stealing the sun
Three things cannot be long hidden: the sun, the moon, and the truth.
— Buddha
This is my first story-based temari. The design is inspired by the mythology of the Native American tribes of the Pacific Northwest, many of whom have variations on the tale of Raven, the Trickster. The sun and the moon and other precious objects were hidden away in a box, and the world was dark. Raven, through mischievous trickery, finds a way to steal them, and thus brings light to the world.
The sun is formed from the traditional rose garden pattern, while Raven is three layered (traditional) spindles. Thread wrap in brass yellow, S12 division in metallic gold and silver. Embroidery in yellows, oranges, reds, black and silver. The quote by Buddha is in the bell box, along with 33 brass rings. Circumference: 11 inches / 28 cm; diameter: 3.5 inches / 8.9 cm. Completed 11 August 2012 (no. 136).
Sold to benefit Kiva.org.
Just one example of the many tales:
Long ago, near the beginning of the world, Gray Eagle was the guardian of the Sun, Moon and Stars, of fresh water, and of fire. Gray Eagle hated people so much that he kept these things hidden. People lived in darkness, without fire and without fresh water.
Gray Eagle had a beautiful daughter, and Raven fell in love with her. In the beginning, Raven was a snow-white bird, and as a such, he pleased Gray Eagle's daughter. She invited him to her father's longhouse.
When Raven saw the Sun, Moon and stars, and fresh water hanging on the sides of Eagle's lodge, he knew what he should do. He watched for his chance to seize them when no one was looking. He stole all of them, and a brand of fire also, and flew out of the longhouse through the smoke hole. As soon as Raven got outside he hung the Sun up in the sky. It made so much light that he was able to fly far out to an island in the middle of the ocean. When the Sun set, he fastened the Moon up in the sky and hung the stars around in different places. By this new light he kept on flying, carrying with him the fresh water and the brand of fire he had stolen.
He flew back over the land. When he had reached the right place, he dropped all the water he had stolen. It fell to the ground and there became the source of all the fresh-water streams and lakes in the world. Then Raven flew on, holding the brand of fire in his bill. The smoke from the fire blew back over his white feathers and made them black. When his bill began to burn, he had to drop the firebrand. It struck rocks and hid itself within them. That is why, if you strike two stones together, sparks of fire will drop out.
Raven's feathers never became white again after they were blackened by the smoke from the firebrand. That is why Raven is now a black bird.
Ella E. Clark, Indian Legends of the Pacific Northwest (2003: University of California Press).
Sunday, May 6, 2012
to see our priorities
We often need to lose sight of our priorities in order to see them.
— John Irving (1942– )
This is another asymmetrical design, with sage & butterscotch kiku / kiku-around-kiku at the top, and black asymmetrical kiku at the bottom. This is the first time I have stitched a temari in #8 perle cotton; the standard is #5, but #8 is thinner, just over half the width of #5. It's much more delicate, and was lovely to work with. When I made chain maille jewelry, I gradually gravitated toward smaller and smaller rings (thinner and smaller in diameter) because of how fine the work turned out. I now have all sorts of ideas of how to use #8, as well as ideas about black on gray designs, which looks practically like velvet, and a bit victorian.
Thread wrap in slate gray; S24 division in black perle #8. Embroidery in butterscotch, sage, and black #8 perle. The quote by John Irving is in the bell box along with 27 brass rings. Circumference: 10 inches / 25.5 cm; diameter: 3.18 inches / 8.11 cm. Completed 5 May 2012 (no. 118).
Sold to benefit Kiva.org.
Thursday, April 26, 2012
destiny is made known silently
No trumpets sound when the important decisions of our life are made. Destiny is made known silently.
— Agnes de Mille (1905–1993)
This is another "sculptural" temari - an original "free form" design intended to be displayed with the north pole at the top or facing forward. I wanted to convey quietness yet strength; using ecru on ecru the pattern is subtle; fine gold highlights add grace.
Thread wrap in ecru; S6 division #8 perle. Embroidery in matching ecru with a few highlights in metallic gold. The quote by Agnes de Mille is in the bell box along with 27 brass rings. Circumference: 9.5 inches / 24.5 cm; diameter: 3 inches / 7.8 cm. Completed 25 April 2012 (no. 114).
Sold to benefit Kiva.org.
Tuesday, April 10, 2012
a creative life
To live a creative life, we must lose our fear of being wrong.
— Joseph Chilton Pearce (1926– )
Starting back with no. 103, I wanted to try to achieve a design that I've seen in some photographs from Japan — kiku herringbone with very thin / long inner points. This is another attempt, and I used pins as guides for the threads through the first three rows of stitching to help achieve this effect. It's much closer to what I'm aiming for, but I think I need more points (perhaps an S16 or even S20) and to work on the proportion of my spacing lengths in the petals to get the exact effect. I'll get it one day, but in the meantime, I like how this one turned out, especially the negative space at the poles where the guidelines have been removed.
Thread wrap in medium silvery gray; S10 division with guidelines removed. Embroidery in matching medium gray and light mossy green (a bit yellow-green). The quote by Pearce is in the bell box along with 9 brass rings. Circumference: 10.25 inches / 26 cm; diameter: 3.26 inches / 8.27 cm. Completed 9 April 2012 (no. 110).
Sold to benefit Kiva.org.
Saturday, April 7, 2012
to be renewed
To be worn out is to be renewed.
— Lao Tzu (6th c. BCE)
This is another asymmetrical composition. An S20 division, the top half has four 5-point kiku herring bone stars in four colors, and the points end with several rounds of "kiku around kiku" (like nos. 94 and 101). The bottom half has four 5-point stars of layered reverse kiku herringbone in a slate gray that is identical to the thread wrap, which provides more of a textural than colorful effect. I chose the colors for the top half based on the quote: renewal > phoenix > peacock.
Thread wrap in very dark slate gray (almost black, but not); S20 division in #8 perle. Embroidery in dark teal blue, light blue green, silvery slate blue, purple, and dark slate gray. The quote by Lao Tzu is in the bell box along with 11 brass rings. Circumference: 10.75 inches / 27.5 cm; diameter: 3.4 inches / 8.75 cm. Completed 6 April 2012 (no. 109).
Sold to benefit Kiva.org.
Sunday, April 1, 2012
to see our priorities
We often need to lose sight of our priorities in order to see them.
— John Irving (1942– )
This is a completely experimental temari, an original design that I created with the intent of evoking a rose or rosebud. The top pole (half) features the traditional "rose garden" pattern, stitched in squares on an S16 division with each new square starting one guideline from the last to create a spiral effect. The bottom pole (half) features 4 four-point reverse kiku stars, interlocked, like the bud / closed petals at the base of a flower. This is quite a departure from my usual temari (and temari in general) which are usually symmetrical, whether repeating the same design at the two poles on a simple division, over multiple poles on a combination division (such as six stars on the six poles of a C8 division), or an "all-over" type pattern (like a spiral).
Thread wrap in lilac/lavender; S16 division in #8 perle. Embroidery in many shades of purples, violets, lavenders, and greens. The quote by John Irving is in the bell box along with 9 brass rings. Circumference: 10.25 inches / 26.3 cm; diameter: 3.26 inches / 8.4 cm. Completed 31 March 2012 (no. 107).
Sold to benefit Kiva.org.
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