Showing posts with label new design. Show all posts
Showing posts with label new design. Show all posts

Monday, December 31, 2012

begin in emotion


A work of art which did not begin in emotion is not art.
— Paul Cézanne (1839–1906)

This is the first time I have used variegated thread that was "machine" variegated — manufactured that way, as opposed to hand-dyed. I wasn't sure I'd like it, but in this case I really do. I never stitch in white, and some of the other variegated colors run all the way to white; but this steel gray one goes from black to light gray. I love the effect it produces on something simple as this kiku (chrysanthemum) pattern.

Thread wrap in celadon green (a very light blue-ish green); S16 division in metallic silver. Embroidery in variegated steel gray, and in a silvery-white-birch-like-color. The quote by Paul Cézanne is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 10.625 inches / 27 cm; diameter: 3.38 inches / 8.59 cm. Completed 31 December 2012 (no. 237).

Sold to benefit Kiva.org.

Compare the variegated gray petals at one pole . . .

. . . with the petals at other pole. Neat.


Saturday, November 24, 2012

curiosity


Curiosity is insubordination in its purest form.
— Vladimir Nabokov (1899–1977)

A C6 swirl stitched entirely clockwise, compared to the clockwise / counter-clockwise method.

C6 division. Thread wrap in chocolate brown. Embroidery in light creamy brown. The quote by Vladimir Nabokov is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 9.875 inches / 25.1 cm; diameter: 3.14 inches / 7.98 cm. Completed 24 November 2012 (no. 217).

Sold to benefit Kiva.org.



where your life wells forth


I could give you no advice but this: to go into yourself and to explore the depths where your life wells forth.
— Rainer Maria Rilke (1875–1926)

At long last, a C10 swirl that uses the clockwise / counter-clockwise method of filling the 120 little triangles created by the division (compared to filling larger shapes in with all-clockwise stitching). This is the next step up from the C8 swirl I finished recently — the number of triangles increases from 48 to 120. It reminds me (in these colors) of a hydrangea blossom. About 10–11 hours just for the stitching.

C10 division. Thread wrap in black. Embroidery in light [slightly violet-] blue. The quote by Rainer Maria Rilke is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 11.875 inches / 30 cm; diameter: 3.77 inches / 9.5 cm. Completed 23 November 2012 (no. 216).

For sale on Etsy to benefit Kiva.org.







Tuesday, November 13, 2012

year's end


Year's end is neither an end nor a beginning but a going on, with all the wisdom that experience can instill in us.
— Hal Borland (1900–1978)

This the flax / hemp stitch (asanoha kagari) done in all-over style on a C8; not new to me, but this is the first time that I added extra stitches in the "blossoms." The blossoms are formed from a technique called pine needle stitching, and on a C8 flax design there are usually 4 (seen more easily in this multicolor version); after finishing all the stitching I went back and added 8 more to each.

Thread wrap in silver gray; C8 division in black. Embroidery in black and light gray. The quote by Hal Borland is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 11.25 inches / 28.7 cm; diameter: 3.58 inches / 9.13 cm. Completed 12 November 2012 (no. 209).

Sold to benefit Kiva.org.



Wednesday, November 7, 2012

winter waves


winter waves
break and turn over
their own shadow
— Tominaga Fûsei (1885–1970)

A new stitch for me: descending herringbone. Each stitch is taken just under the one previous, as opposed to around the point like with kiku herringbone, or between the previous two stitches, like ribbed herringbone.

A small temari, and the last in my "black & white" winter haiku series (which includes nos. 203 & 204, and 207).

Thread wrap in black; S10 division on perle #8 ecru. Embroidery in ecru. The haiku by Tominaga Fûsei is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 8.625 inches / 22 cm; diameter: 2.74 inches / 7 cm. Completed 6 November 2012 (no. 200).

Sold to benefit Kiva.org.



Tuesday, October 2, 2012

the art of seeing


Vision is the art of seeing what is invisible to others.
— Jonathan Swift (1667–1745)

When I finished no. 150, I found myself completely enamored with the unstitched areas, and the five-pointed petal shape that remained at the poles. I wracked my brain trying to figure out how to achieve this affect but with a design that would fill the space around the equator in a more deliberate way. I mulled and thought and sketched and realized that kiku herringbone with layered tips would accomplish this, if started far enough from the poles, but I wasn't sure what to do with the areas formed by the intersections of the kiku at the poles. Then it finally occurred to me I could simply fill them in, the way any shapes might be filled in—back to an elementary lesson that I was overlooking, thinking it had to be more difficult than that.

Thread wrap in violet-tinged blue ("pansy"). S10 division, guidelines removed. Embroidery in light blue violet, dark blue, very light brown (brown tinted off-white), and brown. The quote by Jonathan Swift is in the bell box along with brass rings that make a quiet traditional rattle. Circumference: 11 inches / 28 cm; diameter: 3.5 inches / 8.9 cm. Completed 30 September 2012 (no. 170).

Sold to benefit Kiva.org.



Sunday, August 12, 2012

raven stealing the sun


Three things cannot be long hidden: the sun, the moon, and the truth.
— Buddha

This is my first story-based temari. The design is inspired by the mythology of the Native American tribes of the Pacific Northwest, many of whom have variations on the tale of Raven, the Trickster. The sun and the moon and other precious objects were hidden away in a box, and the world was dark. Raven, through mischievous trickery, finds a way to steal them, and thus brings light to the world.

The sun is formed from the traditional rose garden pattern, while Raven is three layered (traditional) spindles. Thread wrap in brass yellow, S12 division in metallic gold and silver. Embroidery in yellows, oranges, reds, black and silver. The quote by Buddha is in the bell box, along with 33 brass rings. Circumference: 11 inches / 28 cm; diameter: 3.5 inches / 8.9 cm. Completed 11 August 2012 (no. 136).

Sold to benefit Kiva.org.

Just one example of the many tales:
Long ago, near the beginning of the world, Gray Eagle was the guardian of the Sun, Moon and Stars, of fresh water, and of fire. Gray Eagle hated people so much that he kept these things hidden. People lived in darkness, without fire and without fresh water.
Gray Eagle had a beautiful daughter, and Raven fell in love with her. In the beginning, Raven was a snow-white bird, and as a such, he pleased Gray Eagle's daughter. She invited him to her father's longhouse.
When Raven saw the Sun, Moon and stars, and fresh water hanging on the sides of Eagle's lodge, he knew what he should do. He watched for his chance to seize them when no one was looking. He stole all of them, and a brand of fire also, and flew out of the longhouse through the smoke hole. As soon as Raven got outside he hung the Sun up in the sky. It made so much light that he was able to fly far out to an island in the middle of the ocean. When the Sun set, he fastened the Moon up in the sky and hung the stars around in different places. By this new light he kept on flying, carrying with him the fresh water and the brand of fire he had stolen.
He flew back over the land. When he had reached the right place, he dropped all the water he had stolen. It fell to the ground and there became the source of all the fresh-water streams and lakes in the world. Then Raven flew on, holding the brand of fire in his bill. The smoke from the fire blew back over his white feathers and made them black. When his bill began to burn, he had to drop the firebrand. It struck rocks and hid itself within them. That is why, if you strike two stones together, sparks of fire will drop out.
Raven's feathers never became white again after they were blackened by the smoke from the firebrand. That is why Raven is now a black bird.

Ella E. Clark, Indian Legends of the Pacific Northwest (2003: University of California Press).




Monday, May 14, 2012

a hunch is creativity


A hunch is creativity trying to tell you something.
— Frank Capra (1897–1991)

Another asymmetrical kiku, this time with 20 points, and formed from four 5-point stars at each pole.

Thread wrap in medium silver gray; S20 division in #8 perle. Embroidery in black and three grays (dark, medium light), and butter yellow. The quote by Frank Capra is in the bell box along with 27 brass rings. Circumference: 11.5 inches / 29.5 cm; diameter: 3.66 inches / 9.39 cm. Completed 13 May 2012 (no. 125).



Sunday, May 6, 2012

to see our priorities


We often need to lose sight of our priorities in order to see them.
— John Irving (1942– )

This is another asymmetrical design, with sage & butterscotch kiku / kiku-around-kiku at the top, and black asymmetrical kiku at the bottom. This is the first time I have stitched a temari in #8 perle cotton; the standard is #5, but #8 is thinner, just over half the width of #5. It's much more delicate, and was lovely to work with. When I made chain maille jewelry, I gradually gravitated toward smaller and smaller rings (thinner and smaller in diameter) because of how fine the work turned out. I now have all sorts of ideas of how to use #8, as well as ideas about black on gray designs, which looks practically like velvet, and a bit victorian.

Thread wrap in slate gray; S24 division in black perle #8. Embroidery in butterscotch, sage, and black #8 perle. The quote by John Irving is in the bell box along with 27 brass rings. Circumference: 10 inches / 25.5 cm; diameter: 3.18 inches / 8.11 cm. Completed 5 May 2012 (no. 118).

Sold to benefit Kiva.org.




Friday, May 4, 2012

the moon so pure


the moon so pure
a wandering monk carries it
across the sand
— Matsuo Bashō (1644–1694)

A new (for me) twist on a traditional design: the 16 point kiku herringbone (chrysanthemum) pattern, but with asymmetrical petals in four different lengths. Finished just in time for the 2012 "super moon."

Thread wrap in golden orange-yellow; S16 division in metallic copper. Embroidery in ldark rust orange, medium yellow-orange, and ecru. The haiku by Bashō is in the bell box along with 33 brass rings. Circumference: 11.5 inches / 29.5 cm; diameter: 3.66 inches / 9.39 cm. Completed 3 May 2012 (no. 130; they're numbered as I start them, not as I finish them).

Sold to benefit Kiva.org.




Wednesday, April 25, 2012

i shut my eyes in order to see


I shut my eyes in order to see.
— Paul Gauguin (1848–1903)

I love the ribbed kiku sitich (for example, no. 104), and decided to see what might happen if I layered it with traditional kiku — I think it looks pretty stunning! A new favorite.

Thread wrap in medium silver gray; S8 division #8 perle. Embroidery in matching gray, light yellow and very light green. The quote by Paul Gauguin is in the bell box along with 23 brass rings. Circumference: 10.25 inches / 26 cm; diameter: 3.26 inches / 8.27 cm. Completed 24 April 2012 (no. 113).

Sold to benefit Kiva.org.




Tuesday, April 10, 2012

a creative life


To live a creative life, we must lose our fear of being wrong.
— Joseph Chilton Pearce (1926– )

Starting back with no. 103, I wanted to try to achieve a design that I've seen in some photographs from Japan — kiku herringbone with very thin / long inner points. This is another attempt, and I used pins as guides for the threads through the first three rows of stitching to help achieve this effect. It's much closer to what I'm aiming for, but I think I need more points (perhaps an S16 or even S20) and to work on the proportion of my spacing lengths in the petals to get the exact effect. I'll get it one day, but in the meantime, I like how this one turned out, especially the negative space at the poles where the guidelines have been removed.

Thread wrap in medium silvery gray; S10 division with guidelines removed. Embroidery in matching medium gray and light mossy green (a bit yellow-green). The quote by Pearce is in the bell box along with 9 brass rings. Circumference: 10.25 inches / 26 cm; diameter: 3.26 inches / 8.27 cm. Completed 9 April 2012 (no. 110).


Sold to benefit Kiva.org.